Skip to main content

The Old Pink House - 'NECK DEEP' Track Review


'NECK DEEP' is the latest single from Newcastle's hottest indie-pop quartet 'The Old Pink House'

Despite only forming in 2016, the group have earned themselves a strong fan base, released five singles, accumulated countless radio plays and performed at several festivals across the UK.

Alluring synth teases the listener before exploding into a crashing wave of ebullient drums, bold riffs and a hearty bass line.

Front man Chris Brown's vocals adopt a lilting, soft tone that balances out the loud, full bodied instrumentals. This allows the track to have a refreshing depth whilst adhering to the very trendy, delicate vocal style that's dominating the current indie scene.

The track is centered around the straightforward chorus of: 'Neck deep is the something you don't want me to see', meaning it's super easy to sing and dance along to and probably will be stuck in your head for a few days.



The song concludes with an effortlessly cool instrumental, fuelled by ambient synth and peppy guitar riffs that'll undoubtedly get crowds moving.

Overall, it's yet another infectiously catchy track from The Old Pink House. The song is a classic example of a no frills approach done well - simple lyrics coupled with big riffs and punchy percussion, creating an fun, upbeat vibe.

It's a quintessentially indie-pop tune, but they've avoiding slipping into the trap of being pretentious or sugary sweet by giving the track an edge through its strong riffs and intricate harmonies.

The group are most definitely one to watch and I'm sure they'll go from strength to strength, producing bigger and better things.





FOLLOW THE OLD PINK HOUSE

Comments

Popular posts from this blog

Track of the Week - Sarajevo - The K's

Merseyside natives The K's kicked off 2018 by announcing that they had been signed to Republic Music Management. With a handful of sold-out headline shows already under their belt, their tongue-and-cheek indie tunes are earning them a loyal fan base and plenty of buzz. Their debut single 'Sarajevo' is an infectiously catchy and utterly charming track. The vocals are akin to a more in-tune Jamie T, giving their witty lyrics a warm ambiance.  The upbeat melody gives a nod to early 2000s indie, but the ferocious riffs and hearty bass lines give it plenty of originality.  The track has already achieved half a million streams on Spotify and it's a sure bet that there's bigger and better things on the horizon for The K's. FOLLOW SOUNDS OF AN ECCENTRIC FACEBOOK TWITTER INSTAGRAM

Middlesbrough Pub Bans Female Fronted Bands

Middlesbrough pub and rock music venue; Doctor Brown's ; has caused outrage after implementing a ban on female fronted bands, stating their customers believe that women can't sing rock music well. The story gained national attention after The Northern Echo published a damning article on the situation.  Consequently, residents and musicians have started to boycott the venue. I contacted Doctor Brown's to hear their side of the story. Had the situation been blown out of proportion on social media, or were outdated, sexist attitudes being called out? Paula Rees, the pub's manager cited that the Northern Echo had lied and "twisted her words" and she was eager to talk to me to "set the record straight". She said that was more than happy to talk, asking me to ring up later when the pub was a little quieter. Rees also confessed that she wasn't a "big rock fan" and was just going with what her customers wanted, stating that they had

Poison - Mouses Track review

After relentless gigging, Billingham's lo-fi garage-punk duo Mouses are set to release their debut single: 'Poison'. If you haven't heard Mouses  before (firstly, where have you been for the past two years?), imagine the love child of  The Thermals, Dinosaur Jr  and Wheatus  on a generous kick of acid. The track opens by submerging you into a whirlpool of distorted guitar and fuzzy vocals, invigorating the track with a relentless energy. Despite the initially aggressive tone of the track, the infectiously catchy chorus provides it with a poppy undertone, making it incredibly upbeat and easy to dance/sing along to. I can envisage audiences belting out the lines: "I'm not breaking bones for you, I can be myself with a little bit of poison" - or at least that's what I presume Ste is singing under that heavy lo-fi disguise. If I'm perfectly honest, I'm unsure what the song is about, referencing' everything from; a 'crashing tiger